About Owen Ho
Owen Ho is a Hong-Kong-born composer and conductor based in London. He writes contemporary classical music for a range of ensembles and disciplines, and conducts both contemporary and traditional repertoire.
Composer
Owen’s work has featured in projects and programmes involving the Hong Kong Philharmonic Orchestra, Bloomsbury Festival (London), Hong Kong New Music Ensemble, the University of Manchester, and the University of Hong Kong. He has been selected or shortlisted for the International Society for Contemporary Music (ISCM) World New Music Days, London Symphony Orchestra, London Philharmonic Orchestra, Britten Sinfonia, Nonclassical, Sound and Music, and PRS Foundation. He is a prizewinner of the Sarah Leonard Song Writing Competition and the International Composition Competition for Chromatic Harmonica.
His musical output includes works for orchestra, chamber ensemble, choir, voice, solo instrument, dance, film, electroacoustic music, and sound installation. His compositional research explores romanticism as an aesthetic, with a particular interest in openness and longing.
Conductor
As a conductor, Owen’s engagements include performances at Conway Hall, Senate House, St James’s Church, St Giles Cripplegate, Silk Street Concert Hall, and Hong Kong Cultural Centre, as well as engagements at the Guildhall School of Music and Drama, Royal College of Music, Royal Academy of Music, and King’s College London.
He conducted ensembles including the London Repertoire Orchestra, London Lawyers’ Symphony Orchestra and Chorus, Goodensemble Orchestra, City Wind Orchestra, and Orion Orchestra. He is also the Founding Artistic Director of Ensemble Matters, a London-based ensemble specialising in contemporary music and interdisciplinary projects.
Academic
Owen passed his Doctor of Music in Composition at the Guildhall School of Music and Drama, with corrections pending. He previously graduated from the Royal College of Music with a Master of Music in Composition with Distinction, and from the University of Hong Kong with a Bachelor of Arts in Music with First Class Honours. His doctoral supervisors are Julian Anderson, Steve Potter, and Julian Philips. His principal teachers were Kenneth Hesketh, Hing-yan Chan, and Daniel Lo Ting-cheung, with further composition mentorship from Christian Mason and Mark-Anthony Turnage.
His studies were supported by the Hong Kong Scholarship for Excellence Scheme, Sir Richard Stapley Educational Trust, Macfarlane Walker Trust, Goodenough College Bursary, Guildhall School of Music and Drama Financial Award, University of Hong Kong Foundation Scholarship for Outstanding Students, Hong Kong Children’s Choir Scholarship, Rayson Huang Scholarship in Music, and Run Run Shaw Scholarship. He also received the Bernard Van Zuiden Prize, Jao Yu Tsong Memorial Prize in Music, and Prof. Robert Lord Memorial Prize in Music, and was named to the University of Hong Kong Faculty of Arts Dean’s Honours List.
Teaching
Owen has taught music since 2014, specialising in music theory, composition, aural skills, academic music, and music software, as well as advising students on conservatoire and university admissions. He taught at the Royal Academy of Music and served as an examiner for Cambridge International’s IGCSE Music examination. He is Artistic Advisor at Orte London and Teaching Artist at Muzon International. More on his teaching career here.

Key Milestones
2026
- Shortlisted for Sound and Music’s SoundEscapes Programme
- Shortlisted for Nonclassical’s Battle of the Bands
- Shortlisted for PRS Foundation’s Open Fund
2025
- Shortlisted for London Symphony Orchestra’s Soundhub Scheme
- Longlisted for London Philharmonic Orchestra’s Composers Programme
- Programmed for broadcast on Radiophrenia Glasgow and Resonance FM
- Shortlisted for Britten Sinfonia’s Magnum Opus scheme
2024
- May 2024: Participated in the Hong Kong Philharmonic Orchestra’s Robert H. N. Ho Family Hong Kong Foundation Composers Scheme
- Programmed in Watford Colourscape Festival
2023
- Oct 2023: Programmed in MANTIS Festival 2023 by University of Manchester, in collaboration with the 12th International Conference of Music and Sonic Art supported by the Royal Music Association
- May 2023: Longlisted by Ivan Juritz Prize, in collaboration with Centre for Modern Literature and Culture at King’s College London and Mahler & LeWitt Studios in Spoleto, Italy
- Mar 2023: Shortlisted by Sound and Music to represent the British Section in ISCM World New Music Days in South Africa
- Shortlisted for London Symphony Orchestra’s Panufnik Composers’ Scheme
- Shortlisted for PRS Foundation’s Open Fund
2022
- Nov 2022: Commissioned by the University of Hong Kong for players from the Hong Kong Philharmonic
- Oct 2022: Commissioned by Bloomsbury Festival and funded by Hong Kong Arts Development Council
- Jul 2022: Finalist in Young Lion*ess of Acousmatic Music International Competition
2021
- Dec 2021: Entry selected as part of the Vibraphone Project “Online Amplification”
- Nov 2021: Merit Prize in Hong Kong International Composition Competition for Chromatic Harmonica (Chromatic Harmonica with Chamber Orchestra)
2020
- Oct 2020: Commissioned by Bloomsbury Festival and funded by Hong Kong Arts Development Council
2019
- Oct 2019: Winner of the Arcubus Ensemble Call for Scores
- Oct 2019: First-prize in the Sarah Leonard Song Writing Competition (formerly Association of English Singers & Speakers Song Writing Competition)
2017
- Jan 2017: Honourable Mention in International Orange Chorale of San Francisco (IOCSF) – Choral Composition Competition
2016
- Sep 2016: Finalist in Hendrix College (USA) Candlelight Carol Competition












